SUBCONSCIOUS FIGURATION

Initial stage of a figurative nature in which the image emerges from an intuitive and non-rationalized process. Painting operates as a space for the appearance of the subconscious, where the symbolic and the oneiric configure forms still connected to figuration.

FIGURATIVE DISSOLUTION

A transitional moment in which the figure progressively loses its centrality. The work shifts toward ambiguous structures where form, void, and gesture begin to organize the pictorial surface as an autonomous field.

ABSTRACTION:

COLOR AND TEXTURE AS LANGUAGE

Consolidation of an abstract language in which color and texture become structure. Painting is understood as an active surface that constructs meaning without representation.

In parallel, photographic practice develops in dialogue with painting through light, composition, and surface, configuring a shared territory of image-based research.

EXPANDED ABSTRACTION:

MATTER, COLOR AND SCALE

A research stage in which painting shifts toward a spatial condition. The artist works on the creation of scenarios that are later dismantled, with the photographic record ultimately remaining as a trace of the process.



The relationship between matter, relief, and scale redefines the experience of the work, which ceases to operate as an autonomous image to become a physical and temporal presence, articulated between construction, disappearance, and recording.